The Ibis trilogy is a work of historical fiction by Amitav Ghosh. It comprises Sea of Poppies (2008), River of Smoke (2011), and Flood of Fire (2015). The story is set in the first half of the 19th century. It deals with the trade of opium between India and China run by the East India Company. River of Smoke - Wikipedia, the free encyclopedia. River of Smoke (2. Indian novelist Amitav Ghosh. It is the second volume of the Ibis trilogy. The Ibis Trilogy Pdf CreatorSynopsis. From the details of the changing lives and traditions of Indian migrants in Mauritius, the novel traces the fate of other characters from Ibis and describes the opium trade in China. The novel has a rich tapestry of characters from various cultural and geographical backgrounds whose common interest is trade with China. The plot is set in Fanqui town, a small strip of land used by foreigners to trade with local Chinese traders, a year before the first opium war. Plot Introduction. The Anahita, owned by Bahram Modi, a Parsi opium trader from Bombay, the Redruth, owned by Fitcher Penrose, on an expedition to collect rare species of plants from China and the Ibis (from Sea of Poppies) carrying convicts and indentured labourers. The convicts Neel Rattan, a Bengali Zamindar and Ah Fatt a criminal from Canton, escape from the ship along with a couple of lascars. The story traces the lives of these principal characters in Canton. Bahram Modi, a lowly son- in- law of a rich Parsi Ship builder Rustamjee Mistrie, convinces his father in law to provide him seed capital to enter into opium trade and carries out multiple successful expeditions to China and creates considerable wealth in the process for his in- laws. However, on the sudden demise of his father in law, he is forced by his brothers in law to retire from the Export division. Bahram decides to ship a large consignment of opium to China, as he is confident that he would be able to earn a sizeable profit to buy out the Export division, in spite of a ban on trading of Opium issued by the Chinese officials. Bahram also has a son (Ah Fat) through a Chinese boat woman, Chi Mei, unknown to his family back in Bombay. Fitcher Penrose, a botanist, is on an expedition to China to collect rare plants. He is joined by Paulette Lambert aka Puggly, daughter of a French botanist, in his search for the rare Golden camellias. They are helped by Robin Chinnery, a fictional illiegitimate son of the English painter George Chinnery. Neel and Ah Fatt have escaped from Ibis and they meet Bahram Modi, Ah Fatt's father. Neel joins Bahram as his Munshi. Does Mr. Moddie manage to sell his opium and redeem himself in spite of the Chinese government's crackdown? Penrose find the rare plant he is looking for? Does Neel manage to evade the long arm of the law? Characters. Fitcher on his expedition. Robin Chinnery - Artist, Paulette. David Davidar writing in Outlook notes . Attention spans have dwindled, the pundits say, brevity is all, and the grand narrative is to be consigned to the trash heap. Well, thank God, Amitav Ghosh hasn. Generous helpings of humour, adventure (the hunt for the golden camellia was a favourite), history, romance, villainy and suspense are expertly blended into the narrative to make for a rich and entertaining read. What is perhaps a pre- condition is an appetite for detail, a taste for complexities, and a love for words and their strange journeys. Robin Chinnery's conversation transports us to Jane Austen's England. And we are charmed by the sing- song of pidgin as Chi- mei sympathises with Bahram. River of Smoke HB: 9780719568985 TPB: 9780719568992 PB: 9780719568893 Ebook: 9781848545175 In September 1838 a storm blows up on the Indian Ocean and the Ibis, a ship carrying a consignment of convicts and indentured laborers from. River Of Smoke Ibis Trilogy Book 2 16-09-2016 2/2 River Of Smoke Ibis Trilogy Book 2 Other Files Available to Download But Ghosh's novels somehow succeed in taking us back inside the chaos of when . His grasp of the detail of the period is exhaustive . She also goes on to lament . In particular, the section narrated in letters from Robin Chinnery (illegitimate, mixed- race and presumably fictional son of George Chinnery, a real- life painter of South China scenes) to Paulette the botanist, who appears in the previous book. Paulette is too absent and Robin feels like a contrivance to take us inside certain aspects of Canton life where Bahram can't go. It was shortlisted for 2. The Hindu Literary Prize; longlisted for the 2. Man Asian Literary Prize; and shortlisted for the 2. DSC Prize for South Asian Literature. River Of Smoke Ibis Trilogy Book 2 29-08-2016 2/2 River Of Smoke Ibis Trilogy Book 2 Other Files Available to Download River Of Smoke Ibis Trilogy Book 2 10-09-2016 2/2 River Of Smoke Ibis Trilogy Book 2 Other Files Available to Download Download and Read River Of Smoke A Novel The Ibis Trilogy River Of Smoke A Novel The Ibis Trilogy Title Type river of smoke a novel the ibis trilogy PDF confluence - the trilogy child of the river ancients of days shrine of stars PDF webers smoke a guide to smoke.
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PHP (recursive acronym.How to Use Excel to Find the Mean, Median & Mode Ranges by Shawn McClain, studioD. The Office Word title bar displays '. Compatibility mode was introduced in the 2007 Microsoft Office system to offset compatibility. The mean, median, mode, and range are simple math calculations used in daily life as well as the classroom. More technically, a mode is a special state that certain user interfaces must pass into in order to perform certain functions. PDF/A - Wikipedia, the free encyclopedia. PDF/A is an ISO- standardized version of the Portable Document Format (PDF) specialized for use in the archiving and long- term preservation of electronic documents. PDF/A differs from PDF by prohibiting features ill- suited to long- term archiving, such as font linking (as opposed to font embedding) and encryption. However, the suitability of a PDF file for archival preservation depends on options chosen when the PDF is created: most notably, whether to embed the necessary fonts for rendering the document; whether to use encryption; and whether to preserve additional information from the original document beyond what is needed to print it. PDF/A was originally a new joint activity between the Association for Suppliers of Printing, Publishing and Converting Technologies (NPES) and the Association for Information and Image Management to develop an international standard defining the use of the Portable Document Format (PDF) for archiving documents. A key element to this reproducibility is the requirement for PDF/A documents to be 1. All of the information necessary for displaying the document in the same manner is embedded in the file. Mean, Median, Mode and Range. Skills needed: Addition; Multiplication; Division; Data Sets. Mode - The mode is the number that appears the most. It is a common mistake to assume that the name Depeche Mode is purely a translation from the French for 'fast fashion'. Where this error started is hard to establish. Mean, Mode, Median, and Standard Deviation. The mode of a set of data is the number with the highest frequency. In the above example 106 is the mode. This includes, but is not limited to, all content (text, raster images and vector graphics), fonts, and color information. A PDF/A document is not permitted to be reliant on information from external sources (e. This also applies to the so- called Post. Script standard fonts such as Times or Helvetica. Colorspaces specified in a device- independent manner. Encryption is forbidden. Use of standards- based metadata is required. External content references are forbidden. LZW is forbidden due to intellectual property constraints. JPEG2. 00. 0 image compression models is not allowed in PDF/A- 1 (based on PDF 1. PDF 1. 5. JPEG 2. PDF/A- 2 and PDF/A- 3. 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Type fontsprovisions for digital signatures in accordance with the PDF Advanced Electronic Signatures . PDF/A- 2a, PDF/A- 2b correspond to conformance levels a and b in PDF/A- 1. A new conformance level, PDF/A- 2u, represents Level B conformance (PDF/A- 2b) with the additional requirement that all text in the document have Unicode mapping. This metadata represents a claim of conformance; in itself it does not ensure conformance: a PDF document can be PDF/A- compliant, except for its lack of PDF/A metadata. This may happen for instance with documents that were generated before the definition of the PDF/A standard, by authors aware of features that present long- term preservation issues. PDF document can be identified as PDF/A, but may incorrectly contain PDF features not allowed in PDF/A; hence, documents which claim to be PDF/A- compliant should be tested for PDF/A compliance. Conformance with the PDF/A specification is obtained by way of validation. 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Only a careful visual check can uncover this problem. Because generation problems also affect Unicode mapping, the problem attracts the attention when a visual check is carried out on the extracted text. In PDF/A, text/font usage is specified uniquely enough to ensure that it cannot be incorrect. If viewers or printers do not offer complete support for encoding systems, this can result in problems with regard to PDF/A. Therefore, this type of conversion can result in unrendered content. See also. The New Standard Includes Great Technical Enhancements. Archived from the original on 2. Open Preservation Foundation. Java Servlet Hello World with Tomcat. Hello World Java Servlet Example , Tutorial or Sample Program. This article will is for new- bee of Java Servlet. Here I will explain you how you can run your first hello world Servlet example on Tomcat. First download and install tomcat and JDK on your machine. Create following folder structure inside tomcat installation directory. Lets start by making one program which will just print the . Each time the user visits this page it will display . The server invokes do. Get() method whenever web server recieves the GET request from the servlet. The do. Get() method takes two arguments first is Http. Servlet. Request object and the second one is Http. Servlet. Response object and this method throws the Servlet. Exception. Whenever the user sends the request to the server then server generates two obects, first is Http. Servlet. Request object and the second one is Http. As we learned in Part 1 of this article, a Java Servlet is a small Java program designed to handle Web browser requests and produce dynamically generated Web pages in.Servlet. Response object. Http. Servlet. Request object represents the client's request and the Http. Servlet. Response represents the servlet's response. Inside the do. Get(() method our servlet has first used the set. Content. Type() method of the response object which sets the content type of the response to text/html. It is the standard MIME content type for the Html pages. After that it has used the method get. Writer() of the response object to retrieve a Print. Writer object. Now configuring web. Servlet. Create web. It just prints a trivial HTML page filled with the greeting specified in the web. Server will call init() when it starts the servlet and destroy before server destroys it. Servlets First Examples - Learning Java Servlets in simple and easy. A Java servlet is a Java program that. Servlets are most often used to process or store a Java class in Java EE that conforms to the Java Servlet.
From the System of Objects to the Consumer Society Jean Baudrillard was born in the.By Jean Baudrillard Originally published in French by Editions Galilee 1981 < CONTENTS > The Precession of Simulacra History: A Retro Scenario Holocaust. Jean Baudrillard The Consumer Society Myths And. The Consumer Society: Myths and Structures, . Myths and Structures, . Baudrillard-the consumer. In The Consumer Society, Baudrillard concludes by extolling. Kellner, Douglas, 1989a, Jean Baudrillard. Preview the PDF version of this entry. Baudrillard-The Consumer Society.pdf (890. Jean Baudrillard (1929–2007) first emerged as an important theorist of consumption and the consumer society. Hannah Arendt and Jean Baudrillard: pedagogy in the consumer society. Hannah Arendt and Jean Baudrillard: pedagogy in the consumer society. Trevor Norris explores the contribution of Hannah Arendt and Jean Baudrillard to our appreciation of the consumer society and education. Contents: introduction . Republic Book II, 3. We can’t let the terrorists stop us from shopping. George Bush, September 2. We can observe just how much our society has become a consumers’ society even within the last fifty years by considering that during World War II the Western world was called upon to demonstrate restraint and reduce their spending habits, while following September 1. Furthermore, we can observe that advertising and marketing to youths is one of the fastest growing sectors of the economy, and that over $1. Generation Y” in 2. The above quotation suggest that this danger was recognized as far back as ancient Greece; Socrates displays an understanding of the distinction between a healthy and . It is essential to address the growing prevalence of consumerism: Benjamin Barber asserts that the proliferation of Western consumerism and commercial values constitute a new “soft” power of “Mc. World’s assiduously commercialized and ambitiously secularist materialism”, which is responsible for breeding violent expressions of anti- Western sentiments and thereby “inadvertently contribute to the causes of terrorism.”. Through the lens of two contemporary philosophers, this paper will connect the progressive acceleration of Western consumerism and its manifestation within — and the complicit role of — modern formal educational practices. The twentieth century philosophers Hannah Arendt and Jean Baudrillard are rarely connected, yet there are significant areas of overlap regarding their account of consumerism and our consumers’ society. Both explain the recent trend of making what is private become public: Baudrillard describes this as making the private . Secondly, both observe that human relations have been altered and are increasingly mediated by objects. For Baudrillard this entails an eclipse of reality, while for Arendt it entails a loss of the polis and life in the public realm. Hannah Arendt opens The Human Condition with a description of Sputnik, an exemplar for all that is wrong and dangerous in modernity. The passengers on this “earth- born object made by man”. For Arendt, this event, a “rebellion against human existence as it has been given”. This rebellion means the loss of the polis and erosion of speech, in which we “adopt a way of life in which speech is no longer meaningful,” and “move in a world where speech has lost its power.”. Just as we come to inhabit the realm of the human artifice, so too do we dwell in the realm of signs, symbols, and simulations. Baudrillard’s original work in semiotics will provide a new analysis of consumer society, and help explain how communication structures and sign systems can preserve consumer society long after speech has been drained of its power and meaning. After a brief review of the first analysts of consumerism, I will consider Hannah Arendt’s The Human Condition. Arendt outlines her key ideas regarding the polis, the oikos, and the three central human actions (labor, work, and action), and documents the historical ascent of the oikos to a place of political dominance such that the polis is undermined. I will then turn to Jean Baudrillard and consider his theory of the ascent of consumerism and the proliferation of signs. This will reveal a shortcoming in Arendt: although she does discuss communication and . Next, I will consider the consequences of this ascent: the loss of the polis in Arendt, and loss of . Unlike Baudrillard, while Arendt documents the ascent of the social realm and loss of the world through worldly alienation, she leaves a way out- natality and political action- and maintains a vision of politics which celebrates the possibilities and potentialities of action. Lastly, I will consider the political implications of consumerism within the realm of education . Corporate inroads into this realm have turned education into both an extension of the economy through the demand that education serve the dictates of the marketplace and its demand for economic growth, and through the inroads of advertising and marketing into youth culture within the educational environment. Arendt and Baudrillard will reveal that when our political realm is dominated by signs and images of consumption, when our schools are subverted by consumerism, reality is eclipsed and our public realm is compromised. Rise of consumerism. Before turning to Baudrillard and Arendt, a brief discussion of the rise of consumerism and its first analysts will be considered in order to set the historical context of our modern consumers’ society. Engaged with problems associated with the process of industrialization in the early nineteenth century, Karl Marx focused primarily on human labor and the material conditions of production, and did not extensively address consumption or the communication of symbolic meaning through the process of cultural signification. Furthermore, as we will see, Marx was unable to consider the extent to which signs and symbols could become commodities themselves just as much as the use- object. Yet power dynamics and social control are just as important regarding the development and regulation of signs; the control of the mode of signification is as important as the mode of production. Perhaps because of rising affluence and an expanding middle class, consumerism began to emerge towards the turn of the century as a social and political concern. It became an important topic of study to such sociologists as Thorstein Veblen, George Simmel and perhaps most notably Max Weber. In The Protestant Work Ethic and the Spirit of Capitalism. While it may be the case that the early stages of modern capitalism was characterized by these values, Jean Baudrillard reveals that this account is limited in its ability to articulate the problems of modern consumer society: capitalism must unleash the desire to spend. It must advocate hedonism, not Puritanical self- denial. Simmel and Veblen described the extent to which consumerism arose as an attempt to mark oneself off as different from others so as to enable one to establish and express a distinct social identity. This emerged in response to the growing homogenizing forces of mechanization and technology caused by industrialization, and the implications of urbanization and crowding. In contrast to Weber’s theory of Puritanical self- restraint, people began to consume as a principal mode of self- expression; consumerism became a common language through which we . This pattern accelerated after World War II, such that the second half of the twentieth century has witnessed an unprecedented growth of consumerism, and the experience of participation and membership in society today is increasingly contingent on habits of consumption. As Mc. Laren and Leonardo state in their essay on Baudrillard, “. Because production is alienating, we seek fulfillment in consumerism; yet consumerism itself in turn has become a deeply alienating experience. Hannah Arendt: consuming the polis. Hannah Arendt provides a theoretical framework to explain how the public realm has been eroded by the emergence of the private forces of production and consumption and the ensuing eclipse of politics. Yet there is a great deal of misunderstanding of Arendt, particularly regarding her public/private distinction, which leads to a misreading of Arendt as a liberal. She is therefore thought to emphasize the importance of protecting the private sphere of free, rights- bearing, rational autonomous agents, who engage in politics only so as to preserve their privacy. However, Arendt’s distinction between public and private is grounded in what she terms the “ontological roots” of the three activities of human life, the corresponding three “conditions” of human existence. She terms these the “basic conditions under which life on earth has been given to man . This distinction and these activities constitute the central themes of her best known work, The Human Condition and provide the conceptual structure Arendt uses to explain the rise of our consumers’ society. Labor is grounded within “the human condition of life”, the biological life- process to which we are bound by virtue of being human, compelled to submit to and preoccupy ourselves with self- preservation and species- preservation. Labor is the private activity that provides for the biological continuation of life, in which the human body “concentrates on nothing but its own being alive.”. It is the activity in which we are irrevocably bound to the unending cyclical process of production and consumption, the “two stages through which the ever- recurrent cycle of biological life must pass.”. However, Arendt does not simply condemn labor or the private realm: rather, labor is considered an essential human activity, and the oikos respected as a place where we can feel “sheltered against the world”. We are pulled into the cyclical process of production and consumption and exist in a “mere togetherness”. Action expresses our highest potentialities and possibilities, through which we are known by others, disclose our uniqueness, and participate in something larger than ourselves. A life without action “is literally dead to the world; it has ceased to be a human life because it is no longer lived among men . It is through action that our identity and our uniqueness can be disclosed and made known to others, through which we “insert ourselves into the human world.”. This human world Arendt calls the . The polis is where we not only differentiate ourselves from others, but also differentiate between “activities related to a common world and those related to the maintenance of life”. The Last Kingdom by Bernard Cornwell. The first installment of Bernard Cornwell’s bestselling series chronicling the epic saga of the making of England, “like Game of Thrones, but real” (The Observer, London)—the basis for The Last Kingdom, the hit BBC America television series. This is the exciting—yet little known—story of the making of England in the 9th and 1. King Alfred the Great, his son and grandson defeated the Danish Vikings who had invaded and occupied three of England’s four kingdoms. The story is seen through the eyes of Uhtred, a dispossessed nobleman, who is captured as a child by the Danes and then raised by them so that, by the time the Northmen begin their assault on Wessex (Alfred’s kingdom and the last territory in English hands) Uhtred almost thinks of himself as a Dane. He certainly has no love for Alfred, whom he considers a pious weakling and no match for Viking savagery, yet when Alfred unexpectedly defeats the Danes and the Danes themselves turn on Uhtred, he is finally forced to choose sides. Title: The Last Kingdom Saxon Stories 1 Bernard Cornwell Author: Ren The Last Kingdom, like most of Bernard Cornwell's books, is firmly rooted in history. It is the first novel in a series about Alfred the Great and his descendants. And of their enemies. Title: The Last Kingdom Saxon Stories 1 Bernard Cornwell Author: Niklas Gloeckner Subject: the last kingdom saxon stories 1 bernard cornwell Keywords: Read Online the last kingdom saxon stories 1 bernard cornwell, the last. The Last Kingdom is the first historical novel in The Saxon Stories by Bernard Cornwell, published in 2004. This story introduces Uhtred Ragnarson. The Last Kingdom (The Saxon Chronicles Series #1) by Bernard. More eBooks to Download: p By now he is a young man, in love, trained to fight and ready to take his place in the dreaded shield wall. Above all, though, he wishes to recover his father’s land, the enchanting fort of Bebbanburg by the wild northern sea. This thrilling adventure—based on existing records of Bernard Cornwell’s ancestors—depicts a time when law and order were ripped violently apart by a pagan assault on Christian England, an assault that came very close to destroying England. Topics: Vikings, War, Kings, Adventurous, First Person Narration, England, Series, Coming of Age, Medieval Period, First in a Series, Soldiers, Royalty, and Military. Published: Harper. Collins on Mar 1. The first installment of Bernard Cornwell's bestselling series chronicling the epic saga of the making of.Download The Last Kingdom The Saxon Chronicles Series #1 PDF Branch. Bernard Cornwell Grail Quest 1 Harlequin Audio Books English #. The Last Kingdom Cast Interview with. Listen to a free sample or buy The Last Kingdom: The Saxon Chronicles, Book 1 by Bernard Cornwell on iTunes on your iPhone, iPad, iPod touch, or Mac. Free Download MP3 Guru Dev Prarthana Hai. Guru Dev Prarthana Hai. Hai Prathna Gurudev Se Hai Prarthna Gurudev Se Lyrics In Hindi Free download Hai Prarthna Gurudev Se Lyrics In Hindi mp3 for free.
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Creative Nonfiction's Mentoring Program gives writers one-on-one access to accomplished mentors who are not only great. Aaron Gilbreath It's. MFA essay, and the MFA thesis defense. The deadline for admission to the program for Fall 2017 is December 1, 2016. Workshops in poetry, fiction, and literary nonfiction are at the heart of the creative writing program, while courses in the Reading as. And creative nonfiction. The small-group workshop format allows for individual attention from published, award-winning faculty. The final project of both the MA and MFA programs is a creative thesis, an original work of high literary merit (judged on. Graduate Programs Library Student Life Athletics News Events Calendar Offices & Directory Contact & Directions. Faculty & Staff Alumnae/i Quick Links Home > Graduate Programs > MFA in Creative Nonfiction > The MFA program The MFA program Faculty. Our MFA in creative writing program was named third in the nation for creative nonfiction in the 2013 MFA rankings in Poets & Writers magazine. The magazine has also recently ranked UNCW's overall creative writing program as one of the top 25 MFA programs in. There are many low-residency MFA programs in creative writing and Master of Arts programs in a wide range of content areas. MFA in Creative nonfiction MFA in Poetry MFA in Writing for Children & Young Adults MFA in Comics & Graphic Narratives Ph.D. Find the best creative writing programs leading to a master of fine arts degree in Creative Writing. MFA in Writing Program is an autonomous institution associated with UT-Austin, and is not to be confused with the MFA in Creative Writing offered by the 6. Located in NYC, The New School MFA Creative Writing degree program offers concentrations in fiction, nonfiction, poetry, arts writing & writing for children. Admission Contact Merida Escandon Gasbarro 79 5th Ave., 5th Floor New York, NY 10011 escandom@. MFA students are admitted in a single genre (Fiction, Poetry, Creative Nonfiction, and Writing for Young People), but have the opportunity to write and study more than one genre including Literary Translation. Creative Nonfiction has long been a distinct and valued genre within the MFA in Writing program at Vermont College of Fine Arts. Within its many forms, students are able to explore and expand their ideas of family and childhood, the natural world, travel, and place. Creative Nonfiction's Mentoring Program gives writers one- on- one access to accomplished mentors who are not only great writers, but also experienced teachers and editors. No matter how big (or small) your project, our mentors can. Help develop your technique and approach to creative nonfiction composition. Review your manuscript and offer a detailed evaluation and plan of action. Help you revise, edit, and shape your manuscript from the first page to the last. Assist with book proposals and help you navigate the publishing landscape. Since all writers, and writing projects, are different, every program is customized. Your mentor will provide the same level of response and critique from the first session, which includes line edits and margin comments, a written evaluation, and a follow- up phone call, email, or Skype session. This program can be customized to include as many rounds of revision and review as you choose. The standard book proposal course is an eight- session program to be completed over the course of six months, though this program is also customizable, and can be broken down to focus on each component (chapter outline, sample chapters, etc.) separately. We allow for alternative mentoring structures. Writers of all levels can use a push in the right direction, and our skilled mentors will build a plan to meet your individual writing needs. Contact us for more details . These experienced writers and editors aren't looking for typos. They're looking for promise and potential. Please note: though we do our best to honor requests from incoming mentees to work with specific mentors, since all of our mentors are also working writers, editors, and/or teachers, they are not always available. Cook is a Bread Loaf Fiction Scholar (2. Click, (New Rivers Press, 2. The. Terrible Baby (Dancing Girl Press, 2. I Will Not Give Over (Aldrich Press, 2. She holds BA, MA, and MFA degrees in literature, writing, and creative writing (creative nonfiction and poetry). She is represented by Pamela Malpas at Harold Ober Associates, and she blogs at godlikepoet. Anita Diggs. She has worked as a senior editor at Random House/Ballantine Books and as a developmental editor at Time Warner Trade Publishing. Her articles have appeared in the Washington Post, the New York Times, USA Weekend, the Baltimore Sun, the Los Angeles Times, the Chronicle of Higher Education, Saveur, and Preservation. Ellen also has produced editorial projects for the National Geographic Society, American Rivers, NASA, and National Public Radio. She was the author of a . Ellen is a coeditor of Narrative Matters: The Power of Personal Essay in Health Policy, published by Johns Hopkins University Press. For eight years, she was the editor of . Her writing has appeared in the New York Times Magazine; O, The Oprah Magazine; MORE; the Nation; Prevention; the Chattahoochee Review, Cleaver. Topics include race, community, health, end- of- life care, trashpicking, gardening, familial bonds, and food. Lise has worked as an editor for Garden Design, Vogue, and Mademoiselle, and teaches creative nonfiction at the University of Pennsylvania and Rutgers University Creative Writing MFA program. Diana Hume George is the author of. She writes about gender, race, travel, and contemplative practices, and teaches in the creative nonfiction MFA program at Goucher College and at the Writer. His essays and articles on music, relationships, food, people, history, and travel have appeared in Harper's, the New York Times, the. He's an editor at Longreads and currently works at Portland State University's Writing Center. Kelle Groom's memoir of loss and redemption, I Wore the Ocean in the Shape of a Girl (Simon & Schuster), is a Barnes & Noble Discover Great New Writers pick, New York Times Book Review Editor's Choice selection, a Library. Journal Best Memoir of 2. Her publications include three poetry collections, most recently Five Kingdoms, and her work has appeared in the. She is on faculty of Sierra Nevada College's MFA program. She teaches English and Creative Writing at Oglethorpe University in Atlanta. More information is available at her website. Lisa Catherine Harper is the author of the award- winning memoir A Double Life: Discovering Motherhood (U Nebraska, 2. The Cassoulet Saved Our Marriage: True Tales of Food, Family, and How We Learn to Eat (Roost/Shambhala, 2. Her essays and stories have appeared in a range of journals, newspapers, and anthologies. She holds an MA in fiction and a Ph. D in American Literature, and has taught graduate- level fiction and creative nonfiction for over a decade in the MFA program at the University of San Francisco. B. J. Hollars is the author of several books, most recently From the Mouths of Dogs: What Our Pets Teach Us About Life, Death, and Being Human, as well as a collection of essays, This Is Only A Test. A professor at the University of Wisconsin- Eau Claire, he lives a simple existence with his wife, children, and dog. For more, visit his website. She has worked as a senior acquisitions editor at three of the big five general trade publishing houses- -Crown Publishers of Random House, The Penguin Press of Penguin Books, and Free Press of Simon & Schuster- - signing and publishing seventeen New York Times bestsellers in that time, as well as for John Wiley & Sons and the Cambridge University Press. She has specialized in science, history, current affairs, popular social science, narrative nonfiction, and business, and has worked with many academics on award- winning and groundbreaking books, including works by two Noble Prize- winning economists, Douglass North and Elinor Ostrom. More information is available at emilyloose. Kelsey Osgood is a graduate of Columbia University and Goucher College. She has contributed to. Kelsey was also a consultant to former head of the FDA David Kessler, MD, on his book Capture: A Theory of the Mind. Her interests include religion, psychology, and literature. For more information, visit her website. Leslie Rubinkowski. The author of Impersonating. Elvis, her essays have appeared in Harper's, River. Teeth, and Chautauqua. Carol Spindel has taught nonfiction writing at the University of Illinois at Urbana- Champaign and at the Iowa Summer Writing Festival for over twenty years. Her first book, In the Shadow of the Sacred Grove, a memoir of living in a village in northern Ivory Coast, was a New. York. Times Notable Book. Her second book, Dancing at Halftime: Sports and the Controversy Over American Indian Mascots, raised public awareness about stereotypes of American Indians. Her short pieces have been published in magazines including African Arts, Horticulture, Oxford American, and the Writer's Chronicle, where she wrote about the ethics of memoir. In 2. 01. 1, one of her radio commentaries received the PRNDI for Best Writing from the National Public Radio News Directors. Becky Tuch. She has received literature fellowships from The Mac. Dowell Colony and The Somerville Arts Council, and her fiction has won awards from Moment Magazine, Glimmer. Train, Briar. Cliff. Review, Byline. Magazine, and elsewhere. Other fiction and nonfiction has appeared in Salon, Virginia. Quarterly. Review online, Salt. Hill, Summerset. Review, Barrelhouse, Hobart, Quarter. After. Eight, and other print and online publications. For more information, visit her website. He has written feature stories for. He is also the author of the memoir. He is a scriptwriter and member of the Writer's Guild of America/East, with several of his pieces having been adapted into feature films, including the recent movie. Her most recent, Under the Bridge, a blend of literary narrative and investigative journalism, was awarded Canada's largest award for literary nonfiction. Godfrey's articles and essays have appeared in numerous anthologies, newspapers, and magazines. Prior to her publications, she was an editor at Alfred A. Knopf Canada, and has since worked as a freelance editor on projects published by Random House (US). Judith Kitchen is the author of two creative nonfiction books, editor of the creative nonfiction anthologies In Short and In Brief, and poetry reviewer for the Georgia Review. Sam Mac. Donald. A former journalist, his work has appeared in Reason, the. He was formerly a Phillips Foundation Journalism Fellow. Kat Meads is the author of the creative nonfiction collection Born Southern and Restless and teaches in Oklahoma City University. Her work has received two Notable Essay citations in Houghton Mifflin Harcourt. Her creative nonfiction has also appeared in Agni, Crazyhorse, American Letters and Commentary, The Southern Review, Chautauqua, Crab Orchard Review, and other literary journals. Dinty W. Moore is the editor of Brevity and the author of numerous books, including The Mindful Writer: Noble Truths of the Writing Life, Crafting the Personal Essay: A Guide for Writing and Publishing Creative Nonfiction, and the memoir Between Panic & Desire, winner of the Grub Street Nonfiction Book Prize. He is also the director of the creative writing programs at Ohio University. Jessica Olien's writing has been published in Slate, Salon, Bust, Jezebel, Nerve, Marie Claire, The. Atlantic. com, Budget Travel, Cond. She's worked as a journalist based in Thailand, Egypt, and the Netherlands. Her work has been cited by the New York Times, the Economist, the New York Observer, The Daily Beast, PBS and many others, and she's appeared on international television and radio programs, including NPR's Talk of the Nation, to discuss her work. Irene Prokop is a freelance writer, editor and publishing consultant. Formerly, she served as the editor- in- chief of Jeremy P. Tarcher, a division of Penguin/Putnam, and senior editor at Crown/Random House and Perigee Books. Lisa Roney is the author of the memoir Sweet Invisible Body. Her writing focuses on health, illness, place, home, and cultural commentary. She is on the MFA faculty at the University of Central Florida. MFA in Creative Nonfiction : Goucher College. Goucher's MFA in Creative Nonfiction program is ideally suited to a writer's development, providing you with the one- on- one supervision of a faculty mentor, while allowing you the freedom and solitude to develop the skills and discipline you need to succeed. Coming from successful careers as published authors and as editors and writers for such publications as The New Yorker and Atlantic Monthly, they are adept at working with a wide range of student interests- narrative, memoir, personal essay, literary journalism. We bring editors and agents to the summer residencies and lead discussions on such practical matters as writer finances. We also sponsor annual trips to New York, where second- year students meet with some of publishing's top editors and agents. Most of the books have grown out of the 1. MFA manuscripts required for graduation- the one you, too, will walk away with at the end of your two years at Goucher. Connect with the CNF program. Fitness Equipment Parts Proudly in our 20th year of keeping fitness facilities going strong with Over 100,000+ Parts. Heavy Equipment Parts 15406 Industrial Drive Independence, MO 64058 Phone: (816) 257-5118 Fax: (816) 257-5111 clic aqu Heavy Equipment Partswelcometo Heavy Equipment Parts. Welcome to Heavy Equipment Parts. Our mission is to provide our excellent customer service, quality parts, and competitive pricing. Our specialists inspect each used. Heavy Equipment Parts offers new, used, and rebuilt. Let us show you how we can save.
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